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	<title>Anne Regourd &#187; iCal</title>
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		<title>Print Art, la cellule de mise en page, décembre 2008</title>
		<link>http://www.anne.regourd.org/archives/115</link>
		<comments>http://www.anne.regourd.org/archives/115#comments</comments>
		<pubDate>Tue, 23 Dec 2008 19:08:20 +0000</pubDate>
		<dc:creator>arb2dmin</dc:creator>
				<category><![CDATA[iCal]]></category>
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		<guid isPermaLink="false">http://anne.regourd.org/arb2/?p=115</guid>
		<description><![CDATA[Print Art: the Design Department Une grande partie de ma mission de décembre a été consacrée au suivi de la mise en page du fasc. 2 du Catalogue cumulé des bibliothèques de manuscrits de Zabid, I, Bibliothèque &#8216;Abd al-Rahman al-Hadhrami, faite par Hazim al-&#8217;Areqi. Puis à la correction des épreuves. Voici le coeur de la mise en [...]]]></description>
			<content:encoded><![CDATA[<p><!-- 2008-12-22 --></p>
<h3>Print Art: the Design Department</h3>
<p style="margin-top: 1em; margin-right: 0px; margin-bottom: 1em; margin-left: 0px; font-size: 1em;">Une grande partie de ma mission de décembre a été consacrée au suivi de la mise en page du fasc. 2 du <em>Catalogue cumulé des bibliothèques de manuscrits de Zabid</em>, I, <em>Bibliothèque &#8216;Abd al-Rahman al-Hadhrami</em>, faite par Hazim al-&#8217;Areqi. Puis à la correction des épreuves. Voici le coeur de la mise en page, dans les locaux du QG de Print&#8217;Art.</p>
<p style="margin-top: 1em; margin-right: 0px; margin-bottom: 1em; margin-left: 0px; font-size: 1em;">The greater part of my mission in December was devoted to overseeing the page-layout of part 2 of the <em>Catalogue cumulé des bibliothèques de manuscrits de Zabid</em>, I, <em>Bibliothèque &#8216;Abd al-Rahman al-Hadhrami</em>, made by Hazim al-&#8217;Areqi. Following this, there were proofs to be corrected. Here is the heart of the page-layout operation at the headquarters of Print Art.</p>
<h4>Photos</h4>

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			<a href="http://www.anne.regourd.org/arb2/wp-content/gallery/2008-10-02/01.jpg" title="Hazim al-'Areqi" class="shutterset_set_10" >
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			<a href="http://www.anne.regourd.org/arb2/wp-content/gallery/2008-10-02/02.jpg" title="Haytham" class="shutterset_set_10" >
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			<a href="http://www.anne.regourd.org/arb2/wp-content/gallery/2008-10-02/03.jpg" title="'Abd Allah" class="shutterset_set_10" >
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		<item>
		<title>Mission d’évaluation pour la conservation des manuscrits de bibliothèques privées, Zabid, juillet 2008</title>
		<link>http://www.anne.regourd.org/archives/95</link>
		<comments>http://www.anne.regourd.org/archives/95#comments</comments>
		<pubDate>Mon, 21 Jul 2008 18:02:09 +0000</pubDate>
		<dc:creator>arb2dmin</dc:creator>
				<category><![CDATA[iCal]]></category>
		<category><![CDATA[Uncategorized]]></category>

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		<description><![CDATA[Mission d&#8217;évaluation pour la conservation des manuscrits de bibliothèques privées, Zabid En juillet 2008, André Le Prat, responsable de l&#8217;Atelier de restauration du musée du Louvre, Dépt des arts graphiques, s&#8217;est rendu à Zabid pour une mission d&#8217;évaluation financée par le Dépt des arts de l&#8217;Islam. Il s&#8217;agissait en un premier temps d&#8217;évaluer les besoins [...]]]></description>
			<content:encoded><![CDATA[<p><!-- Jul 21, 2008 --></p>
<h4>Mission d&#8217;évaluation pour la conservation des manuscrits de bibliothèques privées, Zabid</h4>
<p>En juillet 2008, André Le Prat, responsable de l&#8217;Atelier de restauration du musée du Louvre, Dépt des arts graphiques, s&#8217;est rendu à Zabid pour une mission d&#8217;évaluation financée par le Dépt des arts de l&#8217;Islam. Il s&#8217;agissait en un premier temps d&#8217;évaluer les besoins en matière de conservation des manuscrits dans les bibliothèques privées de la ville, puis, en un second temps, d&#8217;étudier la constitution d&#8217;un atelier de restauration dans le Centre des manuscrits de Zabid. Le mois de juillet donne une idée de la température ambiante. S&#8217;agissant de bibliothèques privées, on notera que modes locaux de conservation, type d&#8217;architecture de la Tihâma et vie sociale s&#8217;interpénètrent.</p>

<div class="ngg-galleryoverview" id="ngg-gallery-7-95">

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			<a href="http://www.anne.regourd.org/arb2/wp-content/gallery/2008-07-21/01.jpg" title="Trois des quatre membres de l'équipe de Zabid et AR, dans la Bibliothèque des Ashâ'ir, abritant les travaux du Programme Zabid depuis son origine. Les fenêtres sont doublées de rideaux contre la poussière

Three of the four members of the Zabid team and AR in the Library of the Ashâ'ir, where the work of the Zabid Programme has been carried out since its inception. Curtains are drawn over the windows against the dust." class="shutterset_set_7" >
								<img title="01" alt="01" src="http://www.anne.regourd.org/arb2/wp-content/gallery/2008-07-21/thumbs/thumbs_01.jpg" width="100" height="75" />
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	<div id="ngg-image-87" class="ngg-gallery-thumbnail-box"  >
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			<a href="http://www.anne.regourd.org/arb2/wp-content/gallery/2008-07-21/02.jpg" title="Ici avec André Le Prat et AR

Here with André Le Prat and AR" class="shutterset_set_7" >
								<img title="02" alt="02" src="http://www.anne.regourd.org/arb2/wp-content/gallery/2008-07-21/thumbs/thumbs_02.jpg" width="100" height="75" />
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	<div id="ngg-image-88" class="ngg-gallery-thumbnail-box"  >
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			<a href="http://www.anne.regourd.org/arb2/wp-content/gallery/2008-07-21/03.jpg" title="'Arafat montrant les armoires de conservation des manuscrits qu'il a organisées lui-même pour la Bibliothèque des Ashâ'ir

'Arafat showing the cupboards for the conservation of manuscripts which he has had installed in the Library of the Ashâ'ir" class="shutterset_set_7" >
								<img title="03" alt="03" src="http://www.anne.regourd.org/arb2/wp-content/gallery/2008-07-21/thumbs/thumbs_03.jpg" width="100" height="75" />
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	<div id="ngg-image-89" class="ngg-gallery-thumbnail-box"  >
		<div class="ngg-gallery-thumbnail" >
			<a href="http://www.anne.regourd.org/arb2/wp-content/gallery/2008-07-21/04.jpg" title="L'ingénieuse machine à copier les filigranes des papiers à main levé, créée par 'Abd al-Rahman al-Ahmar

An ingenious device for copying the watermarks in handmade paper which has beenmade by 'Abd al-Rahman al-Ahmar" class="shutterset_set_7" >
								<img title="04" alt="04" src="http://www.anne.regourd.org/arb2/wp-content/gallery/2008-07-21/thumbs/thumbs_04.jpg" width="100" height="75" />
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	<div id="ngg-image-90" class="ngg-gallery-thumbnail-box"  >
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			<a href="http://www.anne.regourd.org/arb2/wp-content/gallery/2008-07-21/05.jpg" title="Dans la cour attenante au futur Centre des manuscrits en cours de rénovation, la préparation des poutres plafonnières

In the courtyard beside the future Manuscript Renovation Centre, the ceiling beams are being prepared" class="shutterset_set_7" >
								<img title="05" alt="05" src="http://www.anne.regourd.org/arb2/wp-content/gallery/2008-07-21/thumbs/thumbs_05.jpg" width="100" height="75" />
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	<div id="ngg-image-91" class="ngg-gallery-thumbnail-box"  >
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			<a href="http://www.anne.regourd.org/arb2/wp-content/gallery/2008-07-21/06.jpg" title="Supervisation / Supervision" class="shutterset_set_7" >
								<img title="06" alt="06" src="http://www.anne.regourd.org/arb2/wp-content/gallery/2008-07-21/thumbs/thumbs_06.jpg" width="100" height="75" />
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	<div id="ngg-image-92" class="ngg-gallery-thumbnail-box"  >
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			<a href="http://www.anne.regourd.org/arb2/wp-content/gallery/2008-07-21/07.jpg" title="pendant que l'écorce est enlevée à l'aide d'une faucille

while the bark is being removed with a drawknife" class="shutterset_set_7" >
								<img title="07" alt="07" src="http://www.anne.regourd.org/arb2/wp-content/gallery/2008-07-21/thumbs/thumbs_07.jpg" width="100" height="75" />
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	<div id="ngg-image-93" class="ngg-gallery-thumbnail-box"  >
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			<a href="http://www.anne.regourd.org/arb2/wp-content/gallery/2008-07-21/08.jpg" title="Restauration des anciennes portes. Au fond, les outils bien rangés sur un paneau

Restoration of some orginal doors. At the end of the room, tools are arranged on a panel" class="shutterset_set_7" >
								<img title="08" alt="08" src="http://www.anne.regourd.org/arb2/wp-content/gallery/2008-07-21/thumbs/thumbs_08.jpg" width="100" height="75" />
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	<div id="ngg-image-94" class="ngg-gallery-thumbnail-box"  >
		<div class="ngg-gallery-thumbnail" >
			<a href="http://www.anne.regourd.org/arb2/wp-content/gallery/2008-07-21/09.jpg" title="Petit déjeûner des ouvriers sur le toît du bâtiment. Durant la mousson, les eaux de ruissellement s'évacuent par le biais de gargouilles

The workers take their breakfast on the roof of the building. During the monsoon, the water drains from the roof through gargoyles" class="shutterset_set_7" >
								<img title="09" alt="09" src="http://www.anne.regourd.org/arb2/wp-content/gallery/2008-07-21/thumbs/thumbs_09.jpg" width="100" height="75" />
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	<div id="ngg-image-95" class="ngg-gallery-thumbnail-box"  >
		<div class="ngg-gallery-thumbnail" >
			<a href="http://www.anne.regourd.org/arb2/wp-content/gallery/2008-07-21/10.jpg" title="Un écrivain public au pied de la Citadelle de Zabid, à côté du futur Centre des manuscrits, preuve que la calligraphie n'est pas morte

A public scribe, just outside the part of Citadel of Zabid that will house the future Centre for Manuscripts is demonstrating that calligraphy is not dead" class="shutterset_set_7" >
								<img title="10" alt="10" src="http://www.anne.regourd.org/arb2/wp-content/gallery/2008-07-21/thumbs/thumbs_10.jpg" width="100" height="75" />
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	<div id="ngg-image-96" class="ngg-gallery-thumbnail-box"  >
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			<a href="http://www.anne.regourd.org/arb2/wp-content/gallery/2008-07-21/11.jpg" title="Avec le Shaykh de la Grande mosquée de Zabid, nous observons la manière dont les juz' de corans sont conservés, dans de petites caisses en bois, sur pied, dans une remise. On ne distingue pas de couvercle

With the Sheikh of the Great Mosque of Zabid, we see how juz' of Korans are kept in small wooden boxes, on the floor of a storeroom. The lids cannot be seen" class="shutterset_set_7" >
								<img title="11" alt="11" src="http://www.anne.regourd.org/arb2/wp-content/gallery/2008-07-21/thumbs/thumbs_11.jpg" width="100" height="75" />
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	<div id="ngg-image-97" class="ngg-gallery-thumbnail-box"  >
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			<a href="http://www.anne.regourd.org/arb2/wp-content/gallery/2008-07-21/12.jpg" title="'Abd al-Rahman al-Ahdal, du Programme Zabid, nous montre l'un de ces juz'

'Abd al-Rahman al-Ahdal, of the Zabid Programme shows us one of the juz'" class="shutterset_set_7" >
								<img title="12" alt="12" src="http://www.anne.regourd.org/arb2/wp-content/gallery/2008-07-21/thumbs/thumbs_12.jpg" width="100" height="75" />
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	<div id="ngg-image-98" class="ngg-gallery-thumbnail-box"  >
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			<a href="http://www.anne.regourd.org/arb2/wp-content/gallery/2008-07-21/13.jpg" title="Un exemple de reliure endommagée de la Grande mosquée

An example of a damaged binding from the Great Mosque" class="shutterset_set_7" >
								<img title="13" alt="13" src="http://www.anne.regourd.org/arb2/wp-content/gallery/2008-07-21/thumbs/thumbs_13.jpg" width="100" height="75" />
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	<div id="ngg-image-99" class="ngg-gallery-thumbnail-box"  >
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			<a href="http://www.anne.regourd.org/arb2/wp-content/gallery/2008-07-21/14.jpg" title="Exemple de problème à prendre en compte dans l'évaluation des besoins pour la conservation : ici l'encre, codex de la bibliothèque Ja'afar

Example of a problem requiring consideration in assessing conservation needs: here the effects of ink on the paper in a codex of the Ja'afar library" class="shutterset_set_7" >
								<img title="14" alt="14" src="http://www.anne.regourd.org/arb2/wp-content/gallery/2008-07-21/thumbs/thumbs_14.jpg" width="100" height="75" />
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	<div id="ngg-image-100" class="ngg-gallery-thumbnail-box"  >
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			<a href="http://www.anne.regourd.org/arb2/wp-content/gallery/2008-07-21/15.jpg" title="Folio de l'un des codex de la bibliothèque 'Abd al-Rahman al-Hadhrami : on observa le travail d'encollage

Folio of a codex in the library of 'Abd al-Rahman al- Hadhrami: showing the effects of sizing" class="shutterset_set_7" >
								<img title="15" alt="15" src="http://www.anne.regourd.org/arb2/wp-content/gallery/2008-07-21/thumbs/thumbs_15.jpg" width="100" height="75" />
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	<div id="ngg-image-101" class="ngg-gallery-thumbnail-box"  >
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			<a href="http://www.anne.regourd.org/arb2/wp-content/gallery/2008-07-21/16.jpg" title="Exemple d'armoire, en fer, actuellement utisée pour conserver une bibliothèque privée. Elle n'est pas éloignée des endroits où les femmes cuisinent

An example of a steel cupboard presently used to store a private library. It is not very far from the rooms where the women cook" class="shutterset_set_7" >
								<img title="16" alt="16" src="http://www.anne.regourd.org/arb2/wp-content/gallery/2008-07-21/thumbs/thumbs_16.jpg" width="100" height="75" />
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	<div id="ngg-image-102" class="ngg-gallery-thumbnail-box"  >
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			<a href="http://www.anne.regourd.org/arb2/wp-content/gallery/2008-07-21/17.jpg" title="C'est souvent dans les niches des dîwâns, pièces de réception, qu'on entreprose des manuscrits. Plus ils sont hauts, moins ils sont à la portée des enfants. Mais cela n'empêche pas leur exposition à d'autres &quot;dangers&quot;

It is often the niches of the dîwâns, reception rooms, which shelter manuscripts. The higher they are, the less they are within reach of children. But this does not prevent their exposure to other &quot;dangers&quot;" class="shutterset_set_7" >
								<img title="17" alt="17" src="http://www.anne.regourd.org/arb2/wp-content/gallery/2008-07-21/thumbs/thumbs_17.jpg" width="100" height="75" />
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<h4>Evaluation Mission concerning the conservation of the manuscripts of the private libraries of Zabid</h4>
<p>In July 2008, André Le Prat, manager of the Restoration Workshop of the Department of Graphic Arts at the Louvre visited Zabid on a mission of evaluation funded by the Dept of the Arts of Islam. It aimed firstly to establish the requirements for the conservation of manuscripts in private libraries of the city, and secondly to investigate the establishment of a workshop for the conservation of manuscripts within the Zabid Manuscript Centre. The temperature was what one might expect in July. We observed how, in the case of the private libraries, local conservation methods, the architecture of Tihama, and social life were intermingled.</p>
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		<item>
		<title>«  Documents et histoire, Islam, VIIe-XVIe s.  », mai 2008</title>
		<link>http://www.anne.regourd.org/archives/90</link>
		<comments>http://www.anne.regourd.org/archives/90#comments</comments>
		<pubDate>Sat, 17 May 2008 22:59:39 +0000</pubDate>
		<dc:creator>arb2dmin</dc:creator>
				<category><![CDATA[iCal]]></category>
		<category><![CDATA[Uncategorized]]></category>

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		<description><![CDATA[« Documents et histoire, Islam, VIIe-XVIe s. » Journées d’étude internationales Musée du Louvre / EPHE Paris, 16 &#38; 17 mai 2008 « Documents and History, Islam, 7e-16e Century » International Study Day The Louvre, Ecole pratique des hautes études, Paris,16-17 May 2008 Des journées d’étude conjointes au Musée du Louvre / Département des Arts [...]]]></description>
			<content:encoded><![CDATA[<p><!--  May 17, 2008 --></p>
<h3>«  Documents et histoire, Islam, VIIe-XVIe s.  »<br />
Journées d’étude internationales Musée du Louvre / EPHE<br />
Paris, 16 &amp; 17 mai 2008</h3>
<h3>«  Documents and History, Islam, 7e-16e Century  » International Study Day The Louvre, Ecole pratique des hautes études, Paris,16-17 May 2008</h3>

<div class="ngg-galleryoverview" id="ngg-gallery-6-90">

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			<a href="http://www.anne.regourd.org/arb2/wp-content/gallery/2008-05-16/01.jpg" title="Participants et organisateurs après le dîner de clôture.
Participants and organisers after the closing dinner." class="shutterset_set_6" >
								<img title="01" alt="01" src="http://www.anne.regourd.org/arb2/wp-content/gallery/2008-05-16/thumbs/thumbs_01.jpg" width="100" height="75" />
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	<div id="ngg-image-85" class="ngg-gallery-thumbnail-box"  >
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			<a href="http://www.anne.regourd.org/arb2/wp-content/gallery/2008-05-16/02.jpg" title="Certains des participants venaient à Paris pour la première fois. C’était le cas d’Emadaddin Shaykh-al-Hokamaee (Université de Téhéran), ici au premier plan à droite, et de Khaled Younis (Université de Menufiya, Egypte), ou de…
Some of the participants had come to Paris for the first time. This was the case for Emadaddin Shaykh-al-Hokamaee, here at the front right, and for Khaled Younis (Université de Menufiya, Egypte)." class="shutterset_set_6" >
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Muhammad Jazim (Centre français d’archéologie et de sciences sociales de Sanaa, Yémen). The panel was lead by Françoise Micheau (Université de Paris I-Sorbonne). In the centre, Khaled al-Khaled interprets." class="shutterset_set_6" >
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<p>Des journées d’étude conjointes au Musée du Louvre / Département des Arts de l’Islam et à l’Ecole Pratique des Hautes Etudes, intitulées « Documents et histoire », ont été organisées par Anne Regourd et ont eu lieu les 16 et 17 mai 2008.</p>
<ul>
<li><a href="http://www.anne.regourd.org/arb2/wp-content/ar/docs/2008-05-16/affiche.pdf">L&#8217;affiche</a></li>
<li><a href="http://www.anne.regourd.org/arb2/wp-content/ar/docs/2008-05-16/programme.pdf">Brochure programme</a> (pdf)</li>
<li><a href="http://www.anne.regourd.org/archives/356">Participants</a></li>
</ul>
<p>These joint Study Days of the Musée du Louvre / Département des Arts de l’Islam and of the École Pratique des Hautes Etudes, with the title &#8220;Documents et histoire&#8221; were organised by Anne Regourd and took place on the 16th and 17th of May 2008.</p>
<ul>
<li><a href="http://www.anne.regourd.org/arb2/wp-content/ar/docs/2008-05-16/affiche.pdf">Poster</a></li>
<li><a href="http://www.anne.regourd.org/arb2/wp-content/ar/docs/2008-05-16/programme.pdf">Programme Brochure</a> (pdf)</li>
<li><a href="http://www.anne.regourd.org/archives/356">Participants</a></li>
</ul>
<p>Introduction</p>
<p>Les efforts de reconstruction des débuts de l’histoire de l’Islam, déployés dès la fin du XIXe s., ont conduit à poser le problème de la valeur documentaire de corpus comme le hadith. A l’extrême, l’utilité même de ce travail de reconstitution à partir du seul matériel en langue arabe, a été remise en cause surtout à partir des années 70 par un courant hyper critique, défini parfois comme «  sceptique  », du fait de sa tendance au doute hyperbolique à l’égard de ce matériel.</p>
<p>Aujourd’hui, la situation semble cependant moins désespérée, le manque de documents, au sens de témoins ou contemporains des événements, moins cruel, et ce, pour les siècles habituellement incriminés, du début de l’Islam au début du XVIe s. Tout d’abord la position hyper critique a été elle-même critiquée dans les années 90 ; de nouvelles lectures des textes ou de nouvelles méthodes ont permis de reprendre la reconstitution de l’histoire de l’Islam à ses débuts. Surtout, le mouvement relativement récent autour de la papyrologie arabe a contribué à mettre à jour de nombreux documents sur papyrus ou sur papier, dormant dans des fonds occidentaux, et à s’intéresser à ceux conservés dans des bibliothèques, en Orient. Alors que les périodes précédant la conquête ottomane faisaient figure de parent indigent du fait de la pauvreté, voire de l’inexistence des fonds d’archives les concernant, elles paraissent aujourd’hui pouvoir offrir de nouvelles perspectives, d’autant que certains fonds connus sont inexploités et que d’autres restent à redé- couvrir et ce, même si fonds documentaire ne signifie pas archives. De nouveaux chantiers de fouilles et prospections ont aussi apporté leur lot de découvertes (graffitis omayyades et ayyoubides, papiers de Fustat, de Quseir, etc.).</p>
<p>C’est cette «  nouvelle frontière  », appliquée à des documents variés, que l’on se propose d’explorer, sur une aire géographique s’étendant du Maghreb à l’Iran.</p>
<p>« Documents et histoire » constitue le thème de ces journées d’étude. Elles se donnent pour mission d’illustrer les tendances récentes des travaux sur les sources documentaires, pour la période envisagée, dans le courant des années 90 et 2000. Il est dans leur dynamique d’inviter à une méta-réflexion sur ces sources, ainsi qu’à toute observation épistémologique.</p>
<p>Introduction</p>
<p>Efforts were conducted as early as the end of the 19th century, with the aim of reconstructing the history of early Islam. They were soon to face the question of how much some corpus, as the hadith, were to be trusted as a source. Some of the scholars in this field, especially during the seventies, came to question even the use of this material and prefered to work on sources in other languages. Their position has been sometimes described as &#8220;skeptical&#8221; since they voiced hyperbolic doubts with regard to this material.</p>
<p>Today, the situation seems less critical. The lack of documents which were contemporary with the events is less acute, even for the period which is usually considered as poorly documented, i.e. from the beginning of Islam until the begin- ning of the 16 th century AD. In first place, the skeptical position has been itself under critic during the eighties. New readings of the texts or new methods led to fresh attempts at understanding the history of the early Islam. Arabic papyrology has recently witnessed new efforts leading to the discovery of numerous documents on papyrus or paper, either in Western libraries or in Near Eastern collections. Although the period before Ottoman rule was considered as especially poor as far as archival material is concerned, new perspectives seem to have been recently opened. We are expecting a lot from well known but underexploited collections as well as from collections which are still to be discovered, from archives as well as from other kinds of documents. New excavations and surveys brought new discoveries (Umayyad and Ayyoubid inscriptions, documents from Fustat, Quseir, etc.).</p>
<p>It is the aim of the workshop to explore this &#8220;New Frontier&#8221; over an area extending from Iran to the Maghrib and through various types of documents.</p>
<p>&#8220;Documents and history&#8221; is the theme for this workshop. The aim is to illustrate the recent trends in research on documents during the period extending from the early nineties up to this day. They are a place where thinking about the sources and epistemological remarks are expected.</p>
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		<title>Rencontres sabéennes 11, Aden, 2007</title>
		<link>http://www.anne.regourd.org/archives/82</link>
		<comments>http://www.anne.regourd.org/archives/82#comments</comments>
		<pubDate>Tue, 03 Apr 2007 21:37:09 +0000</pubDate>
		<dc:creator>arb2dmin</dc:creator>
				<category><![CDATA[iCal]]></category>
		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://anne.regourd.org/arb2/?p=82</guid>
		<description><![CDATA[La 6e conférence internationale sur la Civilisation du Yémen, &#8220;Rencontres sabéennes 11&#8243;, Aden, Civilisation et histoire The sixth International Conference on Yemeni Civilization, &#8220;Rencontres sabéennes 11&#8243;, &#8220;Aden, Civilization and History&#8221; 3/4/2007]]></description>
			<content:encoded><![CDATA[<h3>La 6e conférence internationale sur la Civilisation du Yémen, &#8220;Rencontres sabéennes 11&#8243;, Aden, Civilisation et histoire</h3>
<h3>The sixth International Conference on Yemeni Civilization, &#8220;Rencontres sabéennes 11&#8243;, &#8220;Aden, Civilization and History&#8221;</h3>
<p>3/4/2007</p>
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		<title>Catalogue cumulé des bibliothèques de manuscrits de Zabid (vol. 1/1), juin 2006</title>
		<link>http://www.anne.regourd.org/archives/72</link>
		<comments>http://www.anne.regourd.org/archives/72#comments</comments>
		<pubDate>Tue, 06 Jun 2006 22:35:09 +0000</pubDate>
		<dc:creator>arb2dmin</dc:creator>
				<category><![CDATA[iCal]]></category>
		<category><![CDATA[Uncategorized]]></category>

		<guid isPermaLink="false">http://anne.regourd.org/arb2/?p=72</guid>
		<description><![CDATA[Chez l&#8217;imprimeur Print Art At the Print Art Press Map]]></description>
			<content:encoded><![CDATA[<p><!--June 6, 2006--></p>
<h3>Chez l&#8217;imprimeur Print Art</h3>
<h3>At the Print Art Press</h3>

<div class="ngg-galleryoverview" id="ngg-gallery-1-72">

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			<a href="http://www.anne.regourd.org/arb2/wp-content/gallery/2006-06-04/01.jpg" title="Sir Abdulaziz M. Abdo, directeur de Print Art/Sir Abdulaziz M. Abdo, the director of Print Art" class="shutterset_set_1" >
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								<img title="02" alt="02" src="http://www.anne.regourd.org/arb2/wp-content/gallery/2006-06-04/thumbs/thumbs_02.jpg" width="100" height="75" />
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			<a href="http://www.anne.regourd.org/arb2/wp-content/gallery/2006-06-04/03.jpg" title="al-Mu'allim avec son assistant, travaillant à l'impression couleur, machine à quadrichromie Heidelberg / 
al-Mu'allim and his assistant working on the Heidelberg four-colour press" class="shutterset_set_1" >
								<img title="03" alt="03" src="http://www.anne.regourd.org/arb2/wp-content/gallery/2006-06-04/thumbs/thumbs_03.jpg" width="100" height="75" />
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			<a href="http://www.anne.regourd.org/arb2/wp-content/gallery/2006-06-04/04.jpg" title="al-Mu'allim consultant ses fiches / al-Mu'allim checking his files" class="shutterset_set_1" >
								<img title="04" alt="04" src="http://www.anne.regourd.org/arb2/wp-content/gallery/2006-06-04/thumbs/thumbs_04.jpg" width="100" height="75" />
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al-Zabidi at work" class="shutterset_set_1" >
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			<a href="http://www.anne.regourd.org/arb2/wp-content/gallery/2006-06-04/06.jpg" title="Le cuistot / The cook" class="shutterset_set_1" >
								<img title="06" alt="06" src="http://www.anne.regourd.org/arb2/wp-content/gallery/2006-06-04/thumbs/thumbs_06.jpg" width="100" height="75" />
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			<a href="http://www.anne.regourd.org/arb2/wp-content/gallery/2006-06-04/08.jpg" title="Assemblage des pages du Catalogue Zabid / Collating the pages of the Catalogue Zabid" class="shutterset_set_1" >
								<img title="08" alt="08" src="http://www.anne.regourd.org/arb2/wp-content/gallery/2006-06-04/thumbs/thumbs_08.jpg" width="100" height="75" />
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								<img title="11" alt="11" src="http://www.anne.regourd.org/arb2/wp-content/gallery/2006-06-04/thumbs/thumbs_11.jpg" width="100" height="75" />
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